![]() David Bowie came to the rescue, finding Iggy a label and management deal and setting up the recording sessions in London. Plugged into a cranked Vox AC30, it sounded like… well, raw power.īy the time the Michigan band regrouped in England to record Raw Power they’d already hit rock bottom, splitting in 1971 due to a combination of Iggy’s voracious appetite for heroin, extreme poverty, dangerously violent gigs and the lukewarm response to their first two albums. Throughout the narcotic mayhem of the Raw Power sessions, Williamson played a Cherry Red Les Paul Custom that Iggy had encouraged him to trade in an SG and Jaguar to buy. His raw, bluesy style was instrumental in Raw Power having a harder edge and more adrenal tempo than predecessor Funhouse, and he co-wrote all eight songs – much to the chagrin of Asheton, who felt he’d been usurped. “He finds every corner of a musical premise and fills it up with detail.”īorn in Texas, Williamson joined The Stooges in 1970 aged 19, initially as second guitarist, before Ron Asheton switched reluctantly to bass. “As a guitarist, James fills the space as if somebody’s just let a drug dog into your house… and it’s big,” is how Iggy describes his bandmate’s playing. He’s both demonic and intellectual, almost how you would imagine Darth Vader to sound if he was in a band.” Johnny Marr said of Williamson: “He has the technical ability of Jimmy Page without being as studious, and the swagger of Keith Richards without being sloppy. Sex Pistol Steve Jones famously admitted he learnt to play by taking speed and listening to Raw Power. Playing the Keef to Iggy’s Mick was a guitarist whose influence is threaded inexorably through the development of punk rock, James Williamson. And as its chief creator James Newell Osterberg Jr, aka Iggy Pop, recalls: “It was done with drugs, youth, attitude and a record collection”. It remains one of the most visceral, electrifying pieces of musical savagery you’ll ever hear. Released in 1973, it set the bar for a wave of punk bands to try and, in most cases, fail to eclipse. Each archival photograph is numbered and embossed with the official estate seal.īuyers will receive a certificate of authenticity following delivery of the artwork.If ever an album was wholly encapsulated by its title, it’s The Stooges’ incendiary third album, Raw Power. Mick Rock's Estate photographs are printed to order in New York City, please allow 2-4 weeks for delivery. ![]() There is a small archive of photographs that Mick had printed and signed before his death which may include this image, please contact us for prices and availability. The night before, he was at the same venue photographing Lou Reed's iconic performance that produced the image used on the front cover of Reed's Transformer album. Mick Rock photographed Iggy Pop and the Stooges at Kings Cross on July 15, 1972, capturing the image that would later be used on the front cover of Raw Power. It has, in fact, become a yardstick against which other albums are compared Kurt Cobain is one musician who called it his favorite record of all-time. The album's production has become legendary for the loud volume at which it was mastered and how the guitars are mixed much louder than anything else. The front cover of Raw Power, the iconic punk album by Iggy Pop and The Stooges.
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